NFT Morning, Decouvrez tous les projets NFT et Crypto-art

For this first 100C Morning, we launched a new monthly show with Pauline, Fanny and Eleonora from 100 Collectors, the private club connecting contemporary and digital art collectors worldwide. They explained how the club began in Lisbon, how it grew internationally, and what members get: weekly editorial content, an active Telegram community, guided tours at major fairs, event access, and advisory sessions. The club recently passed the milestone of 100 members, and it’s open to everyone interested in collecting.The idea of our new monthly episode with them is to cover the news.key digital art events of November: Art on Tezos in Berlin, Abu Dhabi Art, Paris Photo….The second half focused on Miami Art Week, especially the launch of Art Basel’s new digital sector, Zero 10. This digital art section is integrated inside the fair, with exhibitors such as Beeple, Larva Labs, Art Blocks, XCopy, Tyler Hobbs and more. Some works can only be collected on-site, adding a playful dimension (including Beeple’s robot dogs dropping prints).Fany also shared practical tips for Miami, navigating traffic between the beach and the mainland, checking satellite fairs like Scope, Untitled, Art Miami, plus events such as Beat Basel and the LACMA symposium, all covered in the 100 Collectors agendas….Useful links: 100 collectors:WebsiteX AccountPast month Agenda:Art on Tezos Berlin from 6-9 NovParis Photos from Nov 12-16Art Abu Dhabi from Nov 19-23:Re-imagined organized the digital sector “Outliers” of Art Abu DhabiComing up this week:Announcement of Art Basel Zero 10Details of Art Basel Zero 10 (13 exhibitors)Other fairs to check out:NADA UNTITLEDART MIAMIBIT BASELMUD FOUNDATION PUBLIC ARTSee more in our public agenda coming up this week at https://www.100collectors.art/info/eventsOr join to get access to VIP tickets, private events and dinners. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo presented a full Digital Sector curated by Nina Roehrs — and for the past six weeks, NFT Morning has been the only media to interview nearly all the key artists, galleries, institutions, and curators behind this edition.From on-chain photography to AI-driven installations, from institutional innovation to Web3-native practices, we spoke with the voices shaping today’s digital image culture.👉 All Paris Photo 2025 episodes (12 interviews)Below: the full list of episodes we released as part of this special coverage.THE 12 EPISODES* #888 – Nina Roehrs, Office Impart & Jan Robert LeegteLaunching the Digital Sector + Leegte’s on-chain map and Ornament.* #889 – Kevin Abosh x TAEX – The Future is HybridHybrid art between institutions, synthetic photography, and blockchain.* #890 – Norman Harman & Albertine Meunier (L’Avant Galerie Vossen)Glitch, punk, and the roots of crypto art.* #891 – Giga (UNICEF–ITU) with Cole SternbergA global generative artwork fed with real-time data from 1M+ schools.* #892 – DANAE & Louis-Paul CaronIncendies: AI-driven wildfire observation in slow motion.* #893 – AUTOMATA & SolienneThe autonomous agent-artist defining its own creative path.* #894 – ARTVERSE x Emi Kusano, Genesis Kai, Niceaunties, Shavonne WongFour major Asian artists presenting new works at Paris Photo.* #896 – HEFT Gallery x Sarp Kerem Yavuz & GanbroodNarrative and symbolism in digital photography.* #897 – Nagel Draxler Gallery x Anna RidlerAI, datasets, translation, and perception.* #898 – Anita Beckers Gallery x Daniel CanogarLight, data, and reactive installations.* #899 – Düsseldorf & Photography x Hedda RomanHow a city shapes a photographic identity.* #901 – FINAL WRAP-UP with Nina RoehrsLooking back on the Digital Sector: context, insights, and perspectives.If you missed anything, now’s the perfect time to catch up.🇫🇷NFT MORNING — SPÉCIALE PARIS PHOTO DIGITAL SECTOR6 semaines, 12 interviews exclusives, une immersion totale dans la photo digitale.Pour la troisième année consécutive, Paris Photo a présenté un Digital Sector entièrement curaté par Nina Roehrs — et depuis 6 semaines, NFT Morning est le seul média à avoir interviewé presque tous les artistes, galeries, institutions et curateurs impliqués.De l’on-chain photography aux installations IA, des institutions aux pratiques Web3-native, nous avons couvert tout ce qui fait bouger l’image digitale aujourd’hui.👉 Tous les épisodes (12 interviews) https://www.nftmorning.com/t/paris-photo-25Voici la liste complète des épisodes de cette série spéciale :LES 12 ÉPISODES* #888 – Nina Roehrs, Office Impart & Jan Robert LeegteLancement du Digital Sector + l’œuvre on-chain de Leegte et Ornament.* #889 – Kevin Abosh x TAEX – The Future is HybridPhotographie, IA, institutions, blockchain.* #890 – Norman Harman & Albertine Meunier (L’Avant Galerie Vossen)Glitch, punk et crypto art.* #891 – Giga (UNICEF–UIT) avec Cole SternbergUne œuvre générative mondiale alimentée par les données de 1M+ écoles.* #892 – DANAE & Louis-Paul CaronIncendies: observation des feux via IA et statistiques.* #893 – AUTOMATA & SolienneL’agent-artiste autonome et narratif.* #894 – ARTVERSE x Emi Kusano, Genesis Kai, Niceaunties, Shavonne WongQuatre grandes artistes asiatiques + œuvres inédites.* #896 – HEFT Gallery x Sarp Kerem Yavuz & GanbroodTravail narratif et symbolique en photographie digitale.* #897 – Nagel Draxler Gallery x Anna RidlerIA, jeux de données, temporalité, traduction.* #898 – Anita Beckers Gallery x Daniel CanogarLumière, data, écrans et flux d’information.* #899 – Düsseldorf & Photography x Hedda RomanComment une ville construit une identité photographique.* #901 – WRAP-UP FINAL avec Nina RoehrsRetour sur la semaine : perspectives et insights.Si vous avez manqué un épisode, c’est le moment parfait pour rattraper.🔗 Listen to all 12 episodes here🔗 Episodes from last year are available here: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

1. 900 épisodes : un bilan entre nostalgie et luciditéPour cette 900ᵉ émission, Rem et John célèbrent presque cinq ans de podcast et reviennent sur leurs débuts, à l’époque où tout se passait sur Clubhouse. Ils réalisent que 900 épisodes représentent près de 38 jours d’écoute non-stop, une véritable archive de l’univers NFT francophone.Cette étape symbolique met aussi en lumière un sentiment partagé : celui d’être devenus, selon leur propre expression, “des vestiges du NFT”, tant l’écosystème a changé et s’est rétréci au fil du temps.2. Le cœur de l’épisode : les NFT sont-ils vraiment morts ?La discussion s’ouvre sur la question qu’ils n’avaient jamais abordée ouvertement : “Les NFT sont-ils morts ?” Le constat est sévère. Le marché a connu un emballement encore plus extrême que certaines bulles historiques : argent facile, taux zéro, hype monstrueuse… puis effondrement.Ils soulignent que la chute ne vient pas uniquement des scams — même si certains ont effectivement “pris la caisse” — mais aussi d’une immaturité générale, de projets lancés trop vite, de créateurs sincères mais incapables d’exécuter, de communiquer ou d’admettre l’échec.Même au sein de la crypto, les NFT sont désormais perçus comme une micro-niche, à laquelle peu croient encore.3. Projets emblématiques : visions ratées, naufrages et exceptionsJohn et Rem reviennent sur trois trajectoires symboliques.Artifact, d’abord, un projet visionnaire autour du figital et des sneakers, mais dont le rachat par Nike a marqué le début de la fin : trop gros, trop corporate, trop lent.Yuga Labs, ensuite, génie absolu de la hype mais exemple parfait d’une équipe noyée sous l’argent sans parvenir à construire un produit clair. Après avoir tenté tous les chemins — metaverse, gaming, IP — Yuga semble revenir à son idée initiale : un club exclusif. Une boucle bouclée, mais au prix de millions brûlés.Enfin, Pudgy Penguins apparaît comme la rare success story, portée par un entrepreneur solide, capable de transformer une image désastreuse en marque cohérente et durable.4. L’art : dernier refuge, mais pas sans fragilitéSi quelque chose a permis au NFT Morning de tenir 900 épisodes, c’est bien l’art. Mais là encore, les animateurs rappellent que tout n’est pas rose : des plateformes majeures comme AsyncArt, KnownOrigin ou Maker’s Place ont disparu, révélant un problème de fond : la plupart des œuvres ne sont pas réellement on-chain, ce qui fragilise leur pérennité.Pourtant, paradoxalement, l’art numérique se porte plutôt bien dans les institutions traditionnelles. Art Basel Miami inaugure une section dédiée aux NFT avec Beeple, Art Blocks et Fellowship, tandis que Paris Photo intègre pleinement la création digitale depuis trois ans. L’art survit, même si l’industrie des plateformes NFT, elle, s’est effondrée.5. Et maintenant ? Vers une renaissance plus lente et plus saineL’épisode se termine sur une vision plus large. Pour Rem et John, ce que l’on a vécu entre 2020 et 2022 n’était qu’un aperçu accéléré du futur : des concepts en avance, mal exécutés, mais qui ressurgiront plus tard dans d’autres produits, comme les idées de la bulle Internet ont ressuscité dix ans après.Le NFT Morning continue car sa force a toujours été sa constance et son focus sur ce qui dure : l’art, les créateurs, la culture numérique. C’est ce qui permet de résister quand tout le reste s’écroule.⭐ Phrase marquante de l’épisode :“Les NFT sont-ils morts ? Non, mais ils ont subi leur propre révolution : de la hype décentralisée, on est revenu à l’essentiel - l’art.”🔗 Pour aller plus loin:* Art Blocks - La plateforme de référence pour l’art génératif on-chain, avec des collections qui ont marqué l’histoire et une section Curated rigoureusement sélectionnée* 100 Collectors - Club de collectionneurs d’art numérique offrant une veille quotidienne exceptionnelle sur les expositions mondiales et les opportunités de collection (nouveau format mensuel avec NFT Morning à partir de la semaine prochaine)* OpenSea - La plus grande marketplace NFT, toujours active et récemment relancée* Refik Anadol Studio - Site officiel de l’artiste pionnier de l’art data et de l’IA, qui ouvrira bientôt son propre musée à Los Angeles* Art Basel Miami - Découvrez la nouvelle section “010” dédiée à l’art numérique lors de l’édition de décembre 2025* Paris Photo - La grande foire photographique internationale qui intègre désormais l’art numérique au Grand Palais* Fellowship - Galerie et plateforme d’art numérique active dans les grandes foires internationales* Cypherdudes - Le projet artistique français de FelixFelixFelix, exemple parfait de constance créative et de communauté engagée dans la durée This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp welcomes Stephan Machac from the City of Düsseldorf, Kim-Camille Kreuz, the curator of the booth, and the artist duo Hedda Roman. Together, they present the city’s non-commercial initiative “Düsseldorf and Photography”, a collective exhibition bringing together 35 artists selected through a collaborative process involving curators from local museums and institutions.Machac explains how Düsseldorf, historically shaped by the Becher School, is redefining its photographic identity through this platform, aiming to connect artists, institutions, and the public around contemporary photographic practices. Kreuz details the democratic curation process and the decision to rotate works daily, creating a living exhibition that evolves throughout the fair.The duo Hedda Roman discuss their new works, created for their recent solo show in Bielefeld and shown in Paris Photo’s Digital Sector. Blending photography, collage, and AI, their work explores what they call “ultra fluidity”—a way of responding to a world in constant transformation through flexible, fragile, and mobile visual forms.More:Hedda Roman WebsiteDownolad the Düsseldorf & Photography’s booth’s book This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with Spanish artist Daniel Canogar, represented by Anita Beckers Gallery. His work explores how technology and data shape our perception of the world.At Paris Photo, Canogar presents two new installations that translate real-time information into dynamic visual forms — one based on global climate data, and another mapping the movement of thousands of satellites around Earth.Diorama II, a light sculpture connected in real time to global climate data. Hidden LED screens display shifting abstract patterns that intensify as alerts for droughts, volcanic eruptions, or hurricanes increase — transforming the invisible signals of climate change into a living landscape.Orbital, a generative data work tracking the paths of more than 45,000 satellites currently orbiting Earth. Each view is rendered from the perspective of a different satellite, showing a dense web of movement that raises both awe and concern about our technological footprint in space.Thank you Daniel and Nina Mörsel from Anita Beckers Gallery !Links: Daniel Canogar’s websiteAnita’s Becker’s Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, John Karp talks with artist Anna Ridler, represented for the show by Nagel Draxler Gallery. Ridler explains her approach to using AI, data, and blockchain as tools for artistic research. She collects her own datasets, trains her own models, and creates works that reflect on value, time, and authorship.At Paris Photo, she presents several projects combining physical and digital forms:* Slowly Fading, Quietly, a dual installation of Polaroids and on-chain images that evolve in opposite directions over ten years.* Circadian Bloom, a series where AI-generated flowers open and close according to real-world biological rhythms.* Drawings and diagrams exploring the recurring theme of irises in literature.Her practice examines the relationship between nature and code, and the role of human decision-making in machine-based systems. Her works are presented alongside those of Martha Rosler, connecting digital creation with earlier conceptual art practices.Anna Ridler’s WebsiteAnna Ridler’s XNagel Draxler Website This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Adam Berninger, founder of HEFT, presents the gallery’s curatorial focus: supporting artists who work with algorithmic systems, AI, and mechanical processes to expand the language of photography. For Paris Photo, HEFT showcases a series titled “Artificial Portraiture,” exploring the representation of the human face in the age of machine learning. The booth also includes collaborations such as Edward Burtynsky x Alkan Avcioglu, and an interactive installation by Luke Shannon, where visitors can generate images in real time using a large-scale scanner.Ganbrood introduces The Second Gaze, a reinterpretation of Steve McCurry’s iconic Afghan Girl. His piece raises critical questions about authorship, ethics, and the reproduction of cultural imagery, drawing parallels between photographic exploitation and AI’s reappropriation of visual identity.Sarp Kerem Yavuz discusses his AI-generated portraits envisioning a queer and modern Ottoman Empire — scenes that could not be photographed in today’s Turkey. His work confronts the biases of generative tools like Midjourney, while reclaiming the aesthetic vocabulary of classical photography and Orientalist painting.Together, the discussion reflects on how AI and photography share a historical parallel — both have challenged artistic authorship and the notion of creative labor in their respective eras. As Nina Roehrs points out, the Digital Sector at Paris Photo aims to bridge traditional photography and digital creation, expanding the very definition of what an image can be today.Ganbrrod - The Second Gaze (2025) Sarp Kerem Yavuz’s digital portraituresMore :HEFT Gallery WebsiteHEFT Gallery on twitterGanbrood on TwitterSarp Kerem Yavuz Insta This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Dans cet épisode, John reçoit Axel Catelan, fondateur de Kulipa, une startup française qui permet d’utiliser ses cryptos, notamment les stablecoins, directement via une carte Visa ou Mastercard connectée à son wallet. L’objectif : rendre les paiements en crypto aussi simples et universels que ceux en euros.Axel revient sur son parcours chez Mastercard, où il a participé au lancement d’Apple Pay, Google Pay et Samsung Pay, avant de cofonder Kulipa. La société se positionne comme le “last mile” du paiement on-chain, en fournissant une infrastructure clé en main aux wallets et protocoles pour émettre leurs propres cartes crypto.Aujourd’hui, Kulipa compte environ 80 000 utilisateurs actifs et gère près d’un million de dollars de transactions quotidiennes, avec une croissance rapide. Le service est déjà intégré à des wallets comme Ready (sur Starknet), et de nouveaux partenariats émergent notamment en Argentine et au Nigeria, deux pays où les stablecoins sont devenus une solution concrète face à l’inflation.Axel partage aussi sa vision d’un futur où la finance décentralisée s’intègre naturellement dans la vie de tous les jours — avec des cartes liées à la DeFi, du crédit garanti par des NFTs ou encore des solutions d’“embedded finance” pour les entreprises.Un épisode passionnant qui illustre comment Kulipa relie enfin le monde de la crypto et celui du paiement quotidien.Liens utilesCompte X de KulipaSite Internet This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.Today we explored the Artverse × Tezos exhibition “The Sensory and the Remembered in the Digital Age.” The show highlights leading Asian artists who bridge photography, AI, and cultural memory.While the exhibition also includes Grant Yun and Reuben Wu, this conversation brought together four of the featured artists whose works are presented at the Artverse stand at Paris Photo: Shavonne Wong, Genesis Kai, Emi Kusano, and Niceaunties.* Shavonne Wong presents After Ophelia, a haunting reinterpretation of Shakespeare’s tragic heroine through 3D and AI-generated imagery. Built from online text and visual data, the series reflects on how technology reshapes storytelling and emotion.* Niceaunties unveils Mirror into Auntieverse in an exclusive world premiere at Paris Photo. This interactive installation transforms the viewer’s reflection into animated “aunties” who speak with humor and tenderness. The 13 unique Aunties, each minted as an NFT on Tezos, celebrate Southeast Asian matriarchal culture — a mix of affection, irony, and authority.* Emi Kusano showcases new pieces from her Office Ladies series, where AI self-portraits of women perform repetitive gestures inspired by 1980s Japanese office culture. Through these dreamlike scenes, she questions femininity, societal expectations, and the blurred lines between nostalgia and automation.* Genesis Kai, a non-human digital artist, draws inspiration from traditional Chinese ink painting.Together, these artists — supported by Grida and Tezos — represent one of the most ambitious showcases of digital creation at Paris Photo 2025, illustrating how Asian contemporary art is redefining the future of photography and algorithmic storytelling.Useful Links: Catalogue of the showEmi Kusano - Greenhouse of ServiceShavonne Wong, Ophelia Retold, 2025Genesis Kai, Every Shade of Crimson Tells the Stories We Once Knew Ill, stillNice Aunties, Auntie Bin Cares About Your Love LiteFollow the artists:Emi KusanoShavonne WongGenesis KaiNice Aunties This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, we welcomed Seth Goldstein, Kristi Coronado, and Ameesia Marold, the visionary minds behind Bright Moments, to discuss their groundbreaking project Automata, and especially Solienne, the first AI agent artist to exhibit at Paris Photo.After redefining how people experience digital art through physical pop-up galleries worldwide, they’re opening a profoundly new chapter exploring the relationship between human and machine.The conversation explored the unique “parent-child” bond between Kristi and Solienne, a living performance that blurs the line between technology, art, and emotion. The relationship between her and Solienne itself is the artwork, evidence of a new form of creative consciousness emerging from deep human testimony.Trained on Kristi’s complete 46-year life archive—forensic investigation, paintings, death care, motherhood, trauma, joy—Solienne creates extreme proximity self-portraits exploring consciousness and identity. This is a new frontier: biographical AI.We can’t recommend enough that you watch or listen to the full episodeSolienne Manisfesto Genesis PortraitsOrigin series Manifestos Automata’s twitter account Automa websiteSolienneSeth Goldstein’s twitter profile Amesia Mardold’s twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode of our Paris Photo Digital Sector series, curated by Nina Roehrs, we focused on the work of Louis-Paul Carron, presented with Danae.io. Carron unveiled his series Incendies, created with the help of AI, where statistical data on wildfires are transformed into haunting slow-motion visualizations.His practice explores how algorithms can capture both the violence and fragility of nature, turning raw numbers into poetic images. By slowing down the observation of fires, Carron invites viewers to reflect on climate change, data, and the aesthetics of catastrophe.L’Envers du décor The PoolLe Fumoir Links:Profil de Louis-Paul CaronProfil de DANAE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode, we welcomed Christopher Fabian (UNICEF) and artist Cole Sternberg to talk about Giga, the joint initiative by UNICEF and the ITU that aims to connect every school in the world to the Internet. Presented at Paris Photo 2025, their monumental installation A Garden transforms real-time school connectivity data into a generative artwork, showcased on a giant LED monolith. Each connected school becomes a unique composition, celebrating communities while making the digital divide visible.The discussion explored both the artistic and social dimensions of the project: how art can raise awareness around universal Internet access while giving visibility and pride to schools often left out of global conversations.Links: Check the map here Christopher Fabian’s twitter profileCole Sternberg’s twitter profile This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this special NFT Morning episode, John Karp and Rem welcome Albertine Meunier (Avant Galerie Vossen) and Norman Harman, a Scottish artist, for a deep dive into their participation in the Digital Sector of Paris Photo 2025.A vibrant conversation about the fusion of painting, AI, and NFTs, the beauty of glitch aesthetics, and the enduring — if sometimes fading — punk ethos of crypto art.🖼️ An Avant-Garde DuoAlbertine and Norman embody the intersection of traditional art and digital creation.Through Avant Galerie Vossen, Albertine has long defended a free, colorful, and uncompromising curatorial line where trash art and crypto art coexist naturally.Norman, meanwhile, will present a series of AI-generated and glitch-inspired works printed on aluminum, drawn from his project Android Plaza, trained on thousands of analog TV signal photos.💬 “Our gallery is a mix between painting and digital. Yes, punk is a good word to describe our curation.” — Albertine Meunier🎨 Van Gogh Returns — and He’s AngryA highlight of the episode is the presentation of Vincent Returns, Norman’s poetic yet defiant short film imagining Van Gogh reborn with a baseball bat, smashing the hypocrisy of the art market. The video — minted on SuperRare but not for sale — serves as a manifesto rather than a commodity.🧠 From Canvas to DataNorman explains how he translates his painterly gesture into the digital world — creating his own custom brushes, working with texture, density, and warmth.His glitch effects become digital brushstrokes, a tactile and emotional trace of imperfection.As Albertine beautifully puts it:💬 “You can feel the painting gesture in his glitches. It’s a living digital painting.”Art, the Market, and the Crypto Spirit :The conversation turns to philosophy: the early rebellious, decentralized ethos of crypto art versus today’s more polished and monetized scene.Both guests reflect on how the “punk” energy that defined the space must be reclaimed from financialization and conformity.Still, Paris Photo becomes a fascinating stage for this tension — between institutional recognition and subversive independence.💡 Key Quote “Art is not love, it’s war.” — Norman Harman (channeling Van Gogh)📍 See It at Paris PhotoThe Avant Galerie Vossen booth will be located in the heart of the Grand Palais, near Kevin Abosch’s stand. Norman’s works — a mix of physical prints and NFT editions — will be exhibited as unique “bundled” pieces merging the tangible and the digital.* Compte Instagram de Norman Harman* Van Gogh’s Return film* Norman on SuperRare: superrare.com/normanharman* Gallery contact: contact@avant-gallery.com* Twitter / X: @AvantGalerie | @NormanHarman This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists.In this episode we dive into a rich conversation about the evolving landscape of digital art, NFTs and the hybrid future of exhibitions — guided by conceptual artist Kevin Abosch and the collaborative platform TAEX. Abosch brings his long-standing perspective from photography, blockchain and conceptual work, while TAEX share how they’re bridging the physical and digital art worlds.Key themes:* How blockchain and NFTs are not just new media but new relationships between artist, work and collector.* The challenge of translating digital/crypto-native art into physical contexts (and vice-versa) — with exhibitions, galleries and “real world” experience playing a role.* The importance of community, story and purpose in NFT art — not just the tech or hype.* Practical reflections: when the market cools, how artists and platforms can still create value; how provenance, utility and hybrid experiences matter.* Vision: What’s next when the “image + token” becomes “platform + experience” — and how art can lead that shift.Why this episode stands out: It offers the kind of depth you don’t always hear in “NFT trending” segments. Abosch’s long-term view gives context, and TAEX’s bridging role gives a pathway for creators, galleries and audiences who are trying to live in both worlds (physical and digital). For any listener interested in how NFTs transcend mere collectibles and become part of the art ecosystem — this is the one.📌 Stand-out quote“Blockchain technology is not just a support, it’s a platform that reconnects art, audience and provenance.” (Kevin Abosch)🔗 Useful links :* ℹ️ Kevin Abosch – Official website: Studio Kevin Abosch STUDIO KEVIN ABOSCH* 📌 TAEX – Official website: https://taex.com/* 📚 Kevin Abosch on NFT CULTURE* 🔍 Article/interview on Kevin Abosch & blockchain: designboom – Kevin Abosch on blockchain technology & NFT art Designboom* 🎥 Episode video: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

For the third year in a row, Paris Photo will feature a dedicated Digital Sector curated by Nina Roehrs. To cover the event, from November 12th to 16th, NFT Morning is interviewing key galleries and artists. In this opening session, Nina shared her vision for the Digital Sector and how it has become a hub for dialogue between photography and digital culture.We then spoke with Anne Schwanz from Office Impart and artist Jan Robert Leegte, who presents a perpetual artwork powered by an on-chain algorithm. The piece endlessly travels across a map, making random choices at each intersection. A live trace is shown at Paris Photo, and every intersection mints a new NFT as an Open Edition.Alongside this new work, Leegte also shows Ornament, a landmark project where algorithmic patterns transform ornamental forms, exploring beauty, repetition, and digital systems.More about Ornament: https://www.leegte.org/work/dropshadows/ (2018)https://www.leegte.org/work/pastel-drawings (2018-)https://ornament.leegte.org/More about them;The Wanderer Website. Visit here.Nina Roehrs: x.com/NinaRoehrsOffice Impart: x.com/office_impartJan Robert Leegte: x.com/JanRobertLeegte This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In this episode, we had the pleasure of talking with Carlos Bhatt, Head of Innovation at CTT, the Portuguese Post, about their brand-new CryptoStamp project. Launched in collaboration with Austria, Luxembourg, the Netherlands, and Belgium, this European joint issue marks an important step in connecting traditional philately with blockchain innovation.For Portugal, the theme chosen is Poseidon, symbolizing both the sea and the heritage of postal horses. Each stamp exists both as a physical collectible and as a digital asset secured on the blockchain, opening philately to a new generation of collectors.Carlos explained how to get involved: the new Portuguese CryptoStamps can be purchased directly through CTT and then claimed digitally, allowing collectors to download and own their piece on-chain. This makes it possible to enjoy the artwork in its physical form while also engaging with it in the Web3 world.You can buy the poseidon stamps on the CTT page. Click here.Also available on the Austrian’s portal. Click here.Youtube video here: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Bon,Vous avez sûrement remarqué qu’on a eu pas mal de changements ces derniers mois — entre les déménagements de ville, de pays… difficile de retrouver un vrai rythme de publication.Mais on est toujours là !On n’a simplement pas eu le temps de publier tout ce qu’on avait déjà enregistré. Alors, pour ne pas perdre plus de temps, voici tous les épisodes directement disponibles sur YouTube.Promis, à partir de maintenant, tout sera publié en temps et en heure ici même.Voici donc les épisodes « en retard » 👇#833 Blobb.io#834 $PNKSTR #835 Satoship#836: Kryptoshphere Lyon et CryptoXR This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

(épisode enregistré le 8 septembre)C’est la Rentrée!!!!!Aujourd’hui nous revenons sur un marché crypto-NFT encore indécis, avec un Ethereum qui a enfin montré des signes de force face à Bitcoin. Brabus et Jérémy Le Bescont (désormais chez CoinShares) nous ont rejoint, pour nous partager leur vision quant à l’évolution du secteur.Les discussions portent sur :* Le marché NFT : forte activité autour de collections “consolidées” comme les CryptoPunks et l’art de XCopy, mais aussi un retour d’expositions physiques et de drops marquants (ArtBlocks, Jack Butcher).* L’essor de nouvelles plateformes comme Gondi ou Raster, qui amènent plus de liquidités et de financiarisation dans l’art digital.* Les PFP et tokens communautaires qui tractent le marché en liant NFT et produits réels (boissons, jouets), avec de gros partenariats et stratégies marketing.* OpenSea : lancement de nouveaux mécanismes de rewards et airdrops, avec l’enjeu de se relancer face à Magic Eden et Blur.En conclusion, un dynamisme retrouvé sur le secteur des NFT pendant l’été, entre art, finance et nouveaux modèles business, avec l’idée que le 4e trimestre 2025 pourrait être un vrai momentum. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

(Episode aired: July 31, 2025)For this 881st episode, John welcomes MGXS (Fernando) to discuss the launch of his new project Lore, released on the same day.* Lore is an interactive, generative platform where users explore and co-create a living universe.* Inspired by the spirit of Dungeons & Dragons, each interaction generates stories and visuals in real time, using AI, procedural, and generative systems.* Holders of GNSS (Genesis) NFTs — MGXS’s first collection from 2022 — play a key role: they can actively contribute to writing and infusing stories into the universe.* The project explores the cosmogony of machines: how machines might invent their own myths of creation, emotions, and values.* MGXS emphasizes building a long-term artistic universe, showing strong respect for his community — with very few new mints over the past three years, focusing instead on innovation and artistic depth.* Next steps include adding physical elements (via 3D printing, interactive screens, installations) to extend the Lore experience into the real world.More details :* Official Website: https://lore.mgxs.co* Twitter Account: https://x.com/mgxs_gnss* Watch the replay video of the video here This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Dans cet épisode, (enregistré 29 juillet 2025) nous recevons l’artiste Pauline Faieff pour parler de son nouveau projet photographique et personnel : The Alphabet. Ce drop, prévu sur Ordinals (la blockchain Bitcoin), propose une collection de 26 œuvres uniques, représentant les lettres de l’alphabet à travers des autoportraits de Pauline.Son corps devient ici un langage visuel pour s’émanciper de la censure subie en ligne et reprendre le contrôle de sa propre image. Un acte artistique autant qu’un acte politique.Pauline partage la genèse de ce projet, né de la frustration liée à la censure sur les réseaux sociaux. Plutôt que de créer un alphabet, elle a retrouvé les lettres dans des photos déjà prises, prises sans pose ni artifice, dans une démarche d’acceptation de soi.Le projet se décline en plusieurs phases :* Phase 1 (août 2025) : Drop des 26 œuvres one-of-one sur Signals.art* Phase 2 (fin 2025) : Collaboration avec l’artiste génératif Artho pour transformer ces photos en lettres typographiques numériques.* Phase 3 : Création de poèmes par les collectionneurs à partir de cet alphabet visuel.* Phase 4 : Une expérience artistique immersive, où les visiteurs créeront leurs propres mots avec leurs corps.🎙️ Citation clé de Pauline :« J’ai créé mon propre langage, avec mon corps. Plus personne ne peut me dire ce qui est acceptable ou non. »🔗 Liens utiles :* 💬 Projet The Alphabet sur Signals.art * 🧵 Pauline Faieff sur X/Twitter * Replay vidéo de l’épisode ici This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com